《荒物聲響裝置》展出紀錄
- 2022 兒童藝術教育雙年展《聲音的奇幻異想- 5感小旅行》,朱銘美術館,新北市,臺灣
- 2021 《他山之石・新代理人》,上海當代藝術博物館,線上/中國
- 2020《城北說故事.時光旅行遊樂園》,中山藏藝所,臺北,臺灣
- 2019 映像節《從前‧以前》,中興文創園區,宜蘭,臺灣
- 2019 《同根聲》互動裝置展,松山文創園區,臺北,臺灣
- 2018 大稻埕藝術節《荒物聲響裝置展演》,臺北,臺灣
作品介紹
將日常生活的民常器物「荒物」,組合成一組一組的聲響裝置,鍋碗瓢盆在大稻埕的日常裡是什麼聲音?這些聲音變成聲響裝置又是什麼樣子?今年的大稻埕國際藝術節,邀請您來地衣荒物一起跟著日常器物的聲響,挖掘我們土地中的聽覺記憶。這是一場演出,也是實驗工作坊,更是一場關於大稻埕生活器物的聽覺裝置展覽。
《地衣荒物》致力於推廣台灣民常器物的文化。此次大稻埕國際藝術節跟藝術家紀柏豪合作,將器物經過訊號轉換變成樂器,希望透過來自土地素材製作的器物們,轉化為具體的聲響,構成一篇篇土地聲音的樂章。除展覽外,也將有結合實驗電子音樂的現場演出,並在演後舉辦互動的工作坊,邀請民眾選擇自己有連結的物品,加入我們的演奏行列之中,共創出屬於今年藝術節最狂騷的「荒物電子打擊裝置藝術作品」。結合物件打擊與網頁控制,讓觀眾在演出時能一同參與、成為現場音樂的創作者。演出跟工作坊結束後,該作品將持續展出,互動裝置整合了不同領域的想法與技術,例如數位自造、創意編程、電腦音樂等,民眾也可以自由地與荒物樂器交流。
技術框架
這件作品使用了WebSocket去連接手機用戶端及控制聲光裝置的電腦。因為是使用網頁及網路傳輸,因此可跨平台(電腦、手機、平板及iOS或Andriod系統皆支援)並無需特別連接展場區域網路或安裝APP。在技術上,是透過WebSocket來串連每個人的指尖,讓觀眾參與成為作品的一部分。每一個點擊都穿越了好幾層轉換,從手機網頁發送到遠方的伺服器,再透過Node建立資訊溝通的橋樑,把數位訊號經由網路傳送到現場,化為電流來驅動實體物件打擊,讓大家能夠簡單參與、一同玩耍。
媒體報導
Project Description
“Performative Aramono” is an interactive sound installation that fuses traditional culture and modern technology. In collaboration with a local business in Tau-Tiu-Tiann that promotes Taiwanese daily essentials, the project explores the concept of Aramono—objects in their original, unadorned state—and extends this idea to various aspects of auditory and visual culture.
Through an interactive webpage connected to the sound installation, the project reimagines ordinary objects as a unique drum set, amplifying the intrinsic resonances of space and materials. Viewers can control the strike of solenoids by scanning a QR code with their mobile devices to trigger sensory feedback through sound and light. This “Intra-activity (Barad, 2007)” allows participants to transform everyday objects into a musical interface for collaborative signal-based resonant soundscapes, thus breathing new life into daily essentials and expanding the audience’s imagination of visual culture.
Beyond allowing remote control, the installation also examines the connectivity between physical and virtual entities. Participants gain interactive capabilities by granting limited access to personal data such as location and input/output devices to become nodes in the system, provoking reflections on freedom and surveillance in the digital age.
When displayed, “Performative Aramono” utilizes objects with historical or cultural relevance to the exhibition site, which allows viewers to experience sonic interaction and learn about the history and stories of the locale. The project periodically hosts experimental performances and workshops, encouraging participants to select objects that are personally significant to them. This deepens the engagement and connection between the audience and the artwork.
Drawing on the philosophy of Heidegger, who posited that all entities—both human and nonhuman—are involved in shaping the world, “Performative Aramono” embodies this philosophical notion through its layered interactions and participations. It redefines our relationships with the material world and social networks, offering a nuanced understanding of how these various elements interplay to shape our perceptions of the world.
- 策展人與主持人:謝欣翰
- 聲音與程式設計:紀柏豪
- 裝置與聲音協力:楊茜茹、趙逸巍
- 互動網頁設計:墨雨設計 吳哲宇
- 燈光設計:簡靖芳
- 主辦單位:大稻埕國際藝術節